Wednesday, November 13, 2019

Cause And Effect Aren't Always Easy To Discern

I will be sorry to see the end of this tour. I still hugely enjoy it every night. Not just the show, but also meeting the audience after the show, something I do wherever possible. So far on this tour, the only time I didn't do it was after the extra afternoon show in Cheltenham... but that's because we were doing two shows that day and we had to empty the theatre and then fill it up again about 15 minutes later...

I completely understand why not everyone does it - and in truth, if it wasn't for the technical side of my shows, I might not do it either. I come off stage and I'm knackered and the priority is to get to our hotel beds as soon as possible. But because it takes time to take the screen down and pack away all of our kit, I figure I might as well use that time to do something fun and that audiences seem to appreciate.

But every now and then, something happens to make me think about not doing it. It seems that, for some people, it's not enough and that leads to upset. And maybe if I didn't do it at all that would be avoided. I got a taste of one such thing this week... although it seemed to be a reaction to a show from over a year ago.

It started with an innocent tweet featuring a picture I'd taken backstage at the Everyman in Cheltenham last Sunday.


It really is what I had first thought when I used that loo before the show. As it goes, I was delighted to discover it wasn't and that the theatre were thoughtful enough to have their loos so well stocked. But the coincidence of the packaging resembling something else so familiar seemed odd. And lots of people seemed to agree. On a computer screen the text might be legible, but when I look at the image on my phone it still looks like a Terry's Chocolate Orange to me and I have to zoom in, in order to reveal it's true nature. I imagine lots of people on Twitter had to do the same.

But one person seemed to take offence.


Which is one of those Twitter moments that just makes you sigh. If it's possible to find offence on Twitter, someone will. My assumption is that they're imagining my tweet to have an undertone (or indeed, a heavy overtone) of old-fashioned, "ugh... periods... tampons... yuk!" Which isn't what I intended at all. So I thought a simple explanation would settle things down.



Reader, it did not settle things down.

Okay. Maybe she's unfamiliar with the packaging of a Terry's Chocolate Orange? Maybe she thinks my tweet means that I looked inside the box and saw the tampons and thought they looked like chocolates. Well, surely sight of the box and an understanding that it is really quite similar would explain things...


Reader, it did not explain things...




This strikes me as a slightly odd reply as we seem to have left the topic of whether or not two similarly sized and similarly coloured boxes look alike and moved on to new territory. It seems my correspondent has some more long-standing grievance with me... dating back to the Wolverhampton tour date. Which was nearly a year ago.

Sometimes the tour dates can all blur into one, but the Wolverhampton show remains pretty clear in my memory for a number of reasons. The show had originally been booked in to the Civic Hall in Wolverhampton. But the Civic Hall needed to be rewired and had problems with asbestos and so all of their events - including the Grand Slam of Darts and shows by me, Jason Manford, Joe Lycett and Sarah Millican were moved to a new venue, Aldersley Leisure Village, 10 miles outside the city centre. There were plenty of discussions about whether the new venue - a large sports complex - would have the required lighting/staging/sound system to cope with our show - but in the end they persuaded us that it would all be in order. And it was. They effectively built a complete theatre rig inside a huge sports hall.

The idea that I'd expressed any sense of being too good for the audience (that included my Mum, two of my brothers, a sister-in-law, a niece and a nephew) seemed peculiar because... well, because I've simply never felt it, let alone expressed it. So I wanted to know where this was coming from.


All of which seems most peculiar. Because it contains quite specific details. Of course, I know it's possible that someone didn't enjoy the show. But the idea that I'd actually said - or otherwise conveyed - that the Wolverhampton audience was shit and that every other audience had been better just doesn't make sense. I mean, I know it just didn't happen. It's entirely possible that I referred to the change of venue and called it 'Not Wolverhampton' or somesuch... and maybe someone had hugely misunderstood what that meant. But the idea that I'd dissed it, them and noted that other audiences were better... nah... there's no way anyone could come away from the show thinking I'd done that.

Of course, other people were joining in the conversation at this stage. And my correspondent was giving them short shrift.


I mean... you can't really say, 'Fuck you too' to someone who hasn't said, 'Fuck you' first. And the same person also received a reply to say.


Which repeats the idea that I had somehow attacked that night's audience - or at least some of them - for coming to the show and that I'd said they were a low point. Which I didn't. Because they weren't. And because I wouldn't, even if they were.

And when TV's Helen Chamberlain explained that she'd thought the photo was of a Terry's Chocolate Orange... she too was given short shrift...



Now all of what I've described so far is, I'm sure, a fairly common occurrence on Twitter. Someone takes offence, digs their heels in and lets loose with their anger. It clearly happens all the time.

But it made me wonder if she had mentioned it at the time. Maybe if she had I would discover what had actually happened to give her such a different impression of the night. So I used Twitter's advanced search feature to look it up.

And I found this... which, as I started reading, made me think that maybe something had happened after all and I was the one with a dodgy recollection...


Really! I have no memory of losing my shit on stage. How have I blocked that out? How have I failed to remember some, awful, on stage rant? Oh... read on... it turns out I haven't.

So it turns out that the person who remembers the show as such a disaster and feels so slighted by the whole experience was actually tweeting a couple of hours after the show to say that she'd enjoyed it and would be booking my next tour too.

I gather she's since tweeted that the show was good and that it was my attitude after the show that was so upsetting. (I can't corroborate this as she has now blocked me.)

That's what I meant when I said I sometimes pause to consider whether I should bother to meet people after the shows. I mean, if it can be taken this badly...

But then again... if it's true that I did or said something after the show to upset her, it would suggest it was something I did after 1.11am that night. Which seems unlikely, as at that point I was in the passenger seat of the tour van as we did a night drive to London after that particular show.

But maybe I did say something that upset her and it's only after she'd dwelt on it a while that the upset overtook any other emotional response to the night. Although... that would make this  tweet from February just a little strange also...
Quite how it's possible to have loved a show on the night, still have fond memories of it three months later, but to then decide you hated it a further nine months on is beyond me. I mean... it can't honestly be just because I think one box looks like another, can it?


PS: I've covered up her username and avatar in this post for good reasons. I know it's possible to search for her. Please don't tweet her or try to get involved. I'm not sharing this story because I wish her any ill-will. The last thing I want is to cause a pile-on. I just wanted to share this oddity from my point of view. If anything, I think the take home message is that words expressed in anger are often not to be taken at face value. Although the inability of people to step back and see that perhaps they have the wrong end of the stick does seem to be quite a thing on Twitter in particular and doesn't seem particularly healthy. I do kind of doubt that she'll be booking for my next tour as promised

If you want to come along to this tour, you have a small number of opportunities left. Weston Super-Mare on Thursday, Guildford on Friday, Northampton on Sunday and London on Tuesday. Come along and maybe you too will enjoy yourself on the night only to convince yourself that you hated it by this time next year!

Thursday, October 10, 2019

On the road and on the box...

I'm thoroughly enjoying being back on tour.  We've just finished the first week of this final leg of touring with the show, With Great Powerpoint Comes Great Responsibilitypoint... so if you came along to see the show in Aldershot, Wrexham, Liverpool, Derry/Londonderry, Belfast or Salisbury - thank you. There are now just 20 shows to go on (well 21 because we've added a matinee in Cheltenham) and I will be genuinely sorry to wave goodbye to it. It's such a fun show to perform.

I'm very much looking forward to this show's first visits to Sheffield, Doncaster, Halifax, Aberystwyth, Yeovil, Worthing, Dorking, Torquay, Reading, Dudley, Scarborough, Middlesbrough, Shanklin, Basingstoke and Weston Super Mare - as well as taking it back to Cambridge, Guildford, Northampton and London. 



Tour dates for the third and final leg of the tour.
There's been a seven month gap between the second leg of the tour and this one so it came as something of a relief to discover that I still know the show inside out. The reason for the seven month break was that we needed to take time out to make the new series for Dave. When people ask me why I use powerpoint, I always explain that its big advantage is that it broadens the range of topics I can discuss. When I look back through the 36 episodes of Modern Life Is Goodish and the last three tour shows and think about how much material has been chewed up, it's impossible to imagine making most of it work using words alone. I could talk about the ideas but it would sound like I was exaggerating or making things up when often, a big part of what moves the audience to laughter in those bits is the proof that I'm doing nothing of the sort, that idiocy was hiding in plain sight.

A part of the appeal of Terms And Conditions Apply, for me, is that it allows other people to discuss those topics too. In the first episode my guests are the spectacular Sara Barron, Phil Wang and Richard Osman.



The show is launching on Monday, October 21st and will be on Monday nights at 10pm for eight weeks.
I loved making it and I hope you'll enjoy watching it too. The guests across the eight episodes will also include Katherine Ryan, Jimmy Carr, Rose Matafeo, Sally Phillips, Ed Gamble, Sophie Duker, Phill Jupitus, Zoe Lyons, David O'Doherty, Desiree Burch, Jessica Knappett, Darren Harriott, Rufus Hound, Suzi Ruffell, Cariad Lloyd, Marcus Brigstocke and Jess Fostekew.

During the last few series of Modern Life Is Goodish, I often used to run competitions for my mailing list, giving away things from the show. Shirts, mostly. I intend to do the same again with this series. I thought I'd mention it here so that anyone who isn't on the mailing list already can subscribe before the series starts. I'm not sure when I'll get round to setting the first competition up, what with all the travelling in the days before the show launches, but I'll give away the shirt I'm wearing in this trailer...


 

Thursday, October 3, 2019

Terms & Conditions Apply...

We've just started the third (and final) leg of the tour, With Great Powerpoint Comes Great Responsibilitypoint... and there's a reason there was quite a long gap between the second and third leg. I stopped in order to make something new. It's a new show for Dave.


Here's the trailer:




From the moment I decided to call time on Modern Life Is Goodish... the channel and I started discussing what else we could do instead. And this is what we came up with. I hope you'll like it.

Friday, April 26, 2019

More 2019 Dates

If you came to any of the tour shows that I did last autumn or this spring, you'll be aware of quite how much I enjoy playing live. I don't know why some material is more fun to perform than other bits but With Great Powerpoint Comes Great Responsibilitypoint is a show that's just full of stuff that's really fun to do.

When we got to the last show at the end of February quite a few venues had been in touch wanting to have the show and I was eager to keep on going... but because I had to start work on other things it wasn't immediately obvious when - or if - we could make things fit.

But things have finally sorted themselves out and I'm delighted to say that the show will be back on the road this autumn for another 24 dates.

A few of these shows are return visits but the majority of them are to new venues - and to parts of the country that weren't particularly well served before...



If you're the sort of person who likes to read a review to persuade yourself... well here's a (previously blogged) nice review from The Times... although this time, I've redacted it to make it completely spoiler free!

I think I'm going with the quote,"Dave Gorman, the king of high-concept multimedia shows, the high priest of the comedy Powerpoint talk. He's backed by hundreds of precision-tooled graphics that he controls and interacts with as if he were in a double act with his laptop. The rappor between them is extraordinary. Gorman finds acute new angles on familiar topics in this hugely entertaining 90 minutes of multifacted, multimedia stand-up"


I hope to see you there... all the details can be found on DaveGorman.com

Wednesday, November 7, 2018

I'm probably pettifogging...

Of course, my main motivation for posting this is to share a lovely review for the current tour...



But, it feels like the typo in the picture caption has been put there on purpose to see if I point it out. I mean, any gold standard pedant would, wouldn't they?

 







 

Wednesday, October 17, 2018

Demütigen Prahlen?


I meant to write about this a while ago... but I was too busy and so it drifted away with a shrug... but, well, here's something that doesn't seem to be quite right.

On August 25th I was promoting the tour - that I'm now loving by the way - with an interview on Dermot O'Leary's Saturday Breakfast on Radio 2.

As the name suggests, it's an early show. It's also based in London, where I no longer live. So I was up earlier than normal. Well, we have a toddler so I'm often up early, but I'm not often showered, dressed and out of the front door by 5.20 am. But I was that day.

Now me mentioning the particular radio show I was on my way to appear on might come across as something of a humblebrag, it is after all almost entirely incidental... but I think the hour of the day is relevant and that it would seem odd not to add some context. (But maybe it's just a humblebrag.)

The reason I think the hour of the day is relevant is because this is about Twitter... and in my experience a Twitter feed looks different at different times of day. I often only realise that I've stayed up too late working, when I become aware that my Twitter feed has become dominated by Australian comics.

Anyway,  that morning, as I sat bleary eyed on a train, I had a quick glance at Twitter. And something caught my eye that, had it been there at, say, 10am, would have probably just been washed away on the tide of tweets that swirl around in my feed during normal, up-and-awake, British hours.

The thing that caught my eye - or rather, the things - looked sort of like these...





... but they weren't these. The tweets above were sent today. I've included them as examples because the actual tweets that caught my eye on August 25th have been deleted since. But they were the same shape and style as these. In that they were retweets of spam.

So, in this instance, the account Learn Languages (@differlanguages) has retweeted Rubie Rosas (@Rosas_rubie) who's retweeting and commenting on tweets about stuff you can buy that just happen to include links to the places you can buy them from.

I guess it's possible that, whoever 'Learn Languages' is, they just happen to think that Rubie Rosas comment about the necklace received by Débora Díaz is worth retweeting for its, um, sass(?)... but I doubt it. And I doubt the sincerity of the original tweet about the necklace from Débora Díaz because, well, because here she is tweeting about a bracelet her boyfriend, Josh, got her on October 16th. ..



and here she is tweeting on October 17th about a necklace she got from her boyfriend, Andres...

She moves on fast, that girl.

And for what it's worth, here she is tweeting about another sunflowerjewels necklace and also a keychain, with both tweets posted on October  8th...





I guess it's possible that Débora Díaz has two boyfriends and they're both aware that she's obsessed with SunflowerJewels and so buy her gifts accordingly, but it seems more likely that her account is being used to send spam and that Rubie Rosas and then Learn Languages are amplifying it.

So far, so what?

I know Twitter is polluted by all sorts of spammy garbage and I spend about 20 minutes a day blocking all sorts of p0rnbot nonsense. But I'm not following those people and I appeared to be following 'Learn Languages' and that's what seemed so odd.

Because, even setting the spam to one side, it's not really the sort of account I would have followed. Most of its tweets look like this:


and as I'm not the kind of person who wonders what American for 'cheese' is, it seems highly unlikely  that I would have followed them in the hope of finding out.

So I started scrolling back through their tweets to see if I could see anything that would make me think, "ah... that's the sort of thing that would have persuaded me to follow them!"  

But nothing of that sort turned up.

What did become apparent is that tweeting cue cards for simple words in various languages was a pretty recent turn of events for @differlanguages.

They'd only been doing it since August 10th. Prior to that, they'd been tweeting macro photography - close up details of images photographed under a microscope.

I guess that's a little more interesting to me. I mean, it's just possible that I might have decided to follow that sort of account on a rainy afternoon, one day.

It still seemed a little unlikely... but not impossible. And it didn't explain how an account dedicated to macro photography had suddenly switched to tweeting bland shit about languages and was also - being paid (presumably) - to amplify spam.

What made it all the more curious was the number of followers they had... and the number of people following them that I was also following. Apparently, amongst their 377,000 followers were more than 100 people I follow too.

In that screen grab you can see the avatars for American comics, Randy Rainbow, Brian Posehn and Sarah Silverman, Australian comic, Celia Paquola, Irish comic, Jarlath Regan and British writer/producers, Ash Attalah and James Serafinowicz. As well as three others whose avatars aren't instantly recognizable to me even though I'm pretty sure the one on the top right is a picture of the magician, Doug Henning. (He died before Twitter existed and having a Twitter account would be quite a trick.)

A quick scroll through the 105 names of people I follow, that also follow @differlanguages reveals such luminaries as Jerry Seinfeld, Marina Hyde, Greg Jenner, Danny Baker, Lauren Laverne, Bill Burr, Boy George, Ross Noble, Sharon Horgan, Louis Theroux, Amy Schumer, Omid Djalili, Gabby Logan, Greg Proops, Simon Evans, Richard Bacon, Jon Ronson and the Simpsons producer, Mike Scully (who I once persuaded to tell a 'fisting' joke on live TV, but that's another story).

Oh, and in doing that scroll, the image of Doug Henning leapt out and revealed itself to be the avatar of Mitchell Hurwitz... the creator of Arrested Development, no less.

I mean, of course it's possible that any of these individuals would have clicked a link and followed an account devoted to macro photography... or even to learning simple words in common languages... but for all of them to be following this account just stretches credulity a little too far.

I didn't know what it had been before... but it seemed obvious that the change of focus that account had gone through in early August hadn't been its first transformation.

Surely, at some point before that it had been something more interesting to have so many comics, writers and comic-wranglers following it.

Unable to work out what it had been, I asked the question...


https://twitter.com/DaveGorman/status/1033218255979245568

It only took about 8 minutes to get a proper informed answer...


https://twitter.com/grumpygiant/status/1033220382617034752

Which links to this. Which tells us that the account used to belong to Harris Wittels. Harris Wittels was an American comic and writer. He wrote for The Sarah Silverman Show (which presumably explains why she's following the account, as well as cast member, Brian Posehn) and was a writer and executive producer on Parks and Recreation.

I doubt many British people knew his name. I didn't. But I did know the word, 'humblebrag'. He coined it. He was the man behind the twitter account @humblebrag that simply retweeted tweets of a humblebraggy nature. That's what I followed.

He passed away in February 2015. His account was taken over in early June 2018. It must have been quite a valuable account, what with so much influence. All of his tweets were deleted. The name was changed first to @micropics and then, in August to @differlanguages. And that's who they are now. Tweeting rubbish to make them look like an account with a purpose and then also spamming.

I don't have anything nice to wrap this up with. It's been written about in a few places now and lots of people have reported it to Twitter. But it's still there, profiting in its own small way, from the death of a man who was creative and funny and changed the language, by adding a word to it. I wonder what the Italian, French, Spanish and German words for humblebrag are? Maybe @differlanguages will tell us one day?

Wednesday, October 3, 2018

This is nice...

There's a nice review of one of the Brighton shows in today's Times.

If you're already coming along to the show at some point, then I'd suggest you're better off not reading any further as it contains mild spoilers.

But if you're the sort of person who (quite reasonably) wants someone else to validate their ticket-buying decisions, then hey, this might put the right amount of wind in your sails (and my sales):



























































































EDITED TO ADD:

A few people on Twitter have commented on the absence of something in the review... so it seems only fair to mention that the writer addressed that in a tweet himself...