Seattle starts

I was very happy with the first show here in Seattle. When I performed in Green Bay following a short break I was disappointed by myself for allowing the show to get a bit too loose and unfocussed so I was determined not to make the same mistake here and spent a good part of yesterday - when I wasn't doing press - trying to ensure that I was thinking about the show and not taking it for granted. It was time well spent and although I went slightly awry when discussing creationism the show was soon back on track and everything else was as tight as it should be. A nice crowd and a good show.

Ta ta LA

I used to detest Los Angeles... it seemed like a soulless place; shiny on the outside but with nothing much to offer but every time I come here I find I like it more than the last and it's just occurred to me that I think I actually like it. I can't think why.

Still, I'll be glad to be heading to Seattle tomorrow, as much as anything because this is supposed to be a tour and it doesn't feel like one when I'm basically sitting on my thumbs, taking photographs, balancing rocks and taking photographs of rocks I've balanced. (Not all at the same time you understand; you can't do the others if you're sitting on your thumbs.)

This will be the final two weeks of the tour and - in all probability - the final two weeks of this show, not just for now, but for good. It's been the dominant part of my working life for a goodly while now and it's strange seeing the end of the rollercoaster ride in sight.

Giving thanks

Happy Thanksgiving - if you're that way inclined. This is my third Thanksgiving and it's always an odd experience. The final episode of Genius went out this evening. That's been odd too; being overseas while the series has been broadcast... although I don't know why it seems odd... it's not as though, if I'd been in the UK, I'd have cycled over to the BBC each Thursday to press the play button on the tape recorder. (Yes, I'm sure that's what they use.)

Ta ta Green Bay

The run in Green Bay was all too short. I was expecting it to be freezing cold and inhospitable and - because I know about the Green Bay Packers being a huge NFL team I was expecting it to be a big city too. Instead we had unseasonably pleasant weather and it was a nice small friendly town that manages to sell out a 70,000 seat stadium every game even though the population is only just over 100,000.

The theatre was an amazingly attractive building and everything about the organisation from the management to the technical staff were really good at their jobs. Which meant I was particularly disappointed with myself for giving a bad performance on the opening night. It's the first time in a long time that I've been unhappy with myself onstage and I really didn't think I did the job well enough.

The next two shows were great though and in spite of my concerns the first show received a good review in the Green Bay Press Gazette so I shouldn't complain.

I've now flown to LA and like everyone in LA, I'm here to "take some meetings." Really. It sounds much more impressive than it is.

Too early

I had a very early start yesterday as I was promoting the Green Bay shows on a breakfast TV show at 5.30am. After that I had a bunch of radio shows to visit and another TV show to do. I especially enjoyed the last one (WAPL?) as I was sitting in with the hosts for a whole hour instead of the usual in-and-out 5 minutes.

Setting up the technical side of the show went smoothly and the theatre is probably the most beautiful I've worked in for some time.

Technology

Thanks to everyone who e-mailed me offering me copies of Genius but I've managed to make my computer work properly with the BBC player and so I've now heard the second episode. Richard Madeley was every bit as funny as I remember him.

I've been in Chicago for quite a while now which is fine because Chicago is a grand place to be but odd because it wasn't a scheduled stop on the tour and I haven't been doing any work so it feels rather like the brakes have been applied. But today we fly to Green Bay to resume the tour - if only for a few days. I've bought some woolly gloves.

Ah... so you do read it

I sometimes wonder if anyone reads this page or whether I bother typing in this nonsense and adding the pictures for no reason. And then I post something that sparks a number of e-mails and I realise that there are a few people out there reading this. My last entry was one of those.

It prompted three types of e-mail. The first came from angry residents of Fort Lauderdale and Miami, telling me that the hurricane wasn't going to strike until after the shows and accusing me of using the hurricane as an excuse to cancel shows because I had a sore throat. Believe me, if I was sneaky enough to do that, I also think I'd be clever enough to not mention the sore throat in the first place. It's like saying the dog ate my homework... which incidentally, I hadn't done.

The decision to cancel the shows was made on Wednesday before I'd done the final two shows in Gainesville - so I was in full voice at the time - and the decision wasn't taken by me. On Wednesday the media were predicting that Wilma would be in Fort Lauderdale on Saturday or Sunday. The venue and the show's producers couldn't really send us there knowing that a hurricane was predicted because they would have to be responsible for us being safely evacuated had it been necessary so they decided not to send us in there.

The second type of response also came from people in that area asking me if the shows were going to be rescheduled. The answer is that I don't know... but I doubt it. If it was in the UK - I'm sure it would be, because I live there, can work there whenever and can travel to wherever in a matter of hours. My time in the US is limited, my work-visa is limited and the costs of coming back to Florida just to stage three or four shows is probably prohibitive. If it can be rearranged while I'm here then I'd love it to be... Fort Lauderdale sounds like a great place and I'm sorry not to be spending some time there.

The third type of response I got was from people telling me about the naming of hurricanes and answering my question about what happened between Hurricanes Katrina, Rita and Wilma. Thanks for that.

As it happened the hurricane slowed down and lost a lot of strength - alhough it still did a lot of damage. It didn't hit the Fort Lauderdale area until Sunday night/Monday morning so the shows would have been unaffected but our travel out of the area would have been and I don't know how many people would have wanted to come and see the show when they had a weather channel to watch on the TV and then outside their window. Heigh ho.

In the meantime the tour is now on Plan B (or maybe it's C or D) and we've been put up in Chicago for a while. It's a great city but having spent the last chunk of time in Arizona and briefly Florida, the cold is definitely a shock to the system.

Meanwhile, Genius, the Radio 4 show that I recorded earlier this year, starts its run on Thursday... the guest in episode one is Paul Daniels. It feels a bit weird being out of the country while it happens although I'm not sure why. Anyway... I hope you can listen to it and I hope you enjoy it.

Listings

In the UK it would be impossible for one of my shows to be arranged between a venue and a producer without me knowing about it and agreeing to it. You'd think that would be obvious wouldn't you ... after all, it's me that actually has to do it. Unfortunately that lesson has taken my American producers some time to learn.

Before this tour started I discovered that they had sold 8 shows a week to venues. It's nice to know that the demand was there but it's also not possible for me to perform this particular show that often. If you haven't seen it, it probably sounds like I'm moaning because, surely, it's just talking right? But it isn't really. It's a really physical show, it feels like going to the gym every night, and there are several sustained rants of blood, guts and fury that tear my throat apart each night.

I spend a lot of time between shows taking medicines to help my voice recover from the damage the last show did before then repeating, and worsening, the damage that night. For this reason I've never relished doing the show twice in one day and would want to avoid it whenever possible. Sadly my American producers had sold two-show-days several times to venues without bothering to ask me if it was okay. It must be tempting as a salesman to sell as much as you can to people... especially if you're not the person who's actually going to have to do it.

Most of these situations were resolved before the tour started but there were a few places where that wasn't really an option and Gainesville was one of those. Most of the venues on this tour are taking the show for a week or two which offers some flexibility... but Gainesville had booked 3 shows in 2 days. I did a 7.30 show on Tuesday while on Wednesday there was a 7.30 and a 10pm show... which gave me a 30 minute break before starting again. Twenty minutes in I was in pain and this morning I can't really talk much. If I had a show tonight I think I'd be forced to cancel it... but I haven't, more on that later.

What makes this all the more frustrating is that I don't think the late show should have gone ahead at all. I looked in the local listings papers and none of them mentioned that the late show even existed. The 7.30 show was there but not the 10pm. If one paper hadn't listed it, it would look like an error on their part but when all three of the local papers haven't listed a show it seems more likely that the venue haven't sent them the correct information. And it was reflected in the ticket sales.

On Tuesday we'd sold 4 tickets for the late show on Wednesday. By Wednesday that had doubled. Woo hoo. By show time it was around 18 people. It's as if a wealthy fool had booked that late show especially for him and his friends and insisted that information about its existence shouldn't leak out into the public domain.

Amazingly, it went well... although not as well as either of the two early shows had gone. But this morning I'm in pain, I can't talk and it hurts when I swallow and I have to wonder whether or not it was worth it. Of course the audience who turned up deserved a show... but shouldn't the venue have some responsibility in this situation also? Why buy a show into your venue and then not try to sell it to the public?

This afternoon I was supposed to be flying to Fort Lauderdale for shows tonight through Sunday but as Hurricane Wilma is also thinking of heading there this weekend, the venue and the producers have decided in their wisdom that it's unwise for us to go there and the shows have been cancelled. I've never had a show cancelled because of a hurricane before. How exciting. I hope it doesn't wreak too much havoc, mind.

Incidentally, if they name these things alphabetically, how did we get so quickly from Katrina, via Rita, to Wilma wihout hearing much about hurricanes L, M, N, O, P, Q, S, T, U and V?

We're staying put in Gainesville for another day while we work out a Plan B. I'll spend today being silent and sampling the various lozenges available in the various pharmacies in the hope that one of them can work magical restorative powers for my voice.

Signs

One of the questions I hear regularly from people after the show - especially here in America - is "How many words do you actually say?" or "How can you say so much so fast?" I don't know the answer because there isn't a script - the words aren't on paper anywhere and so there's no way of counting them but I do know that it's a relatively long show and that I get through a lot of words-per-minute.

I mention this because yesterday I wasn't alone onstage as the show was being signed for the hard of hearing also. I should think this is one of the hardest shows going to sign for. Not only are there a lot of words happening very quickly but there are also several words for which there isn't a specific sign. There isn't really time for the signer to spell coelacanth and while a synonym might do for bamboozled, say, a synonym isn't quite right because it is the arcane nature of the words involved that made them googlewhacks.

The signer - a really nice woman called Patti - was great and we spoke before the show about the best way of doing it as she'd been to see the show the day before. Fortunately there's a lot of visual information in the show as well, so in the brief interludes when the pace of the show really gets going the best way of Patti following the show was to just indicate towards the screen and let it speak for itself.

I'll be sorry to leave Scottsdale. It's been the most enjoyable stop on the tour so far and the audiences have been great - especially this last Friday. It's been like being on holiday with much more to occuppy a traveller than in our previous stops.

One more show to go and then a horrible overnight flight to Florida.

Hole

I took a drive out to the Grand Canyon on Wednesday. It was a 500 mile round trip but it was definitely worth it. The show has, in one way or another, now taken me to see The Grand Canyon, The Great Wall of China and Niagara Falls which I stupidly thought were all "7 Wonders of the World" © ®

It turns out that I'm completely wrong and my naive assumption that I'd now seen 3/7 of the world's wonders is incorrect. I was wondering what else qualifies as a "Wonder of the World" © ® so I had a quick look around the internet using some search engine or another (I can't remember which) and discovered that there are several different lists. The only seven that seem to enjoy a broad agreement are the seven ancient wonders of the world ... of which only the Great Pyramid of Giza is still standing so when it comes to viewing the "7 Ancient Wonders of the World" © ® it's only possible to see 1/7th of them and I haven't even done that.

Most people seem to have the Grand Canyon on a list of Natural Wonders though I'm surprised that Niagara Falls doesn't makes it on to that list and while The Great Wall of China is obviously not a natural wonder, I'm amazed that it rarely gets a mention on any of the lists because it's definitely one of the most wondrous things I've ever seen.

It seems that the original "7 Wonders of the World" © ® list was compiled by Greeks way back when and they didn't know that the Great Wall of China existed (or Stonehenge for that matter) and so it didn't make it on to the list. But why, as the collective knowledge of the world grew, people didn't promote the Great Wall of China and demote The Lighthouse of Alexandria, say (I don't know, I've never seen it) or why the world didn't decide that there were now 8 Wonders of the World doesn't make much sense to me.

Anyway... as far as Natural Wonders of the World go, I've now seen my first official Wonder © ® and the Canyon is something truly remarkable to behold. I took a light aircraft flight over it and loved every minute of it... even the minutes when I was tightly gripping the seat in front of me because of the turbulence. I'd recommend it to anyone.

Back in April I wrote about how it was impossible to capture Niagara Falls in a photograph but impossible not to try over and over again to do so. It was the same with the Grand Canyon - I took hundreds of photos but none of them convey the magnitude of it properly.

Here's one attempt:

and here's a picture of me dangling my feet over the edge of the most impressive hole I've ever dangled my feet over the edge of:

My mate...

I'm continuing to enjoy my time in Scottsdale. This really is a beautiful part of the world and the most relaxed I've been on the tour. To make things even better I've had the good fortune to be joined by a couple of friends from the UK who brought a jar of Marmite. Gorgeous sunshine and the yeast extract of my dreams... what more could a man ask for? It's the best of both worlds.

Quite a backlog of e-mails had built up in the last week. As I made my way through it I learned that the episode of the retro-panel-game What's My Line? that I took part in back in August was broadcast a few days ago and, more surprisingly, that I was recently the answer to a question on The Weakest Link. How odd.

#109

I'm enjoying Scottsdale much more than I enjoyed Aurora... but then that isn't difficult. This is a truly beautiful part of the world and I took the opportunity on Monday to drive out to a town called Sedona and to visit Slide Rock Creek. I've seen this landscape before, but only in a Roadrunner cartoon. It really is spectacular. And the 150 mile drive was better than a day of mini-golf.

The city of Scottsdale also offers plenty to see and do... and here's some love from me to you.

The shows are going well here also with a great venue that really fits the show and two great audiences so far. People had warned me about discussing Creationism here as it's perceived by others as being a place where Creationism is likely to be rife. But so far, that part of the show has gone over really well and without the awkwardness that I sometimes perceived in Cleveland, say.

Maybe I've subtly adjusted how I deliver this show over the last few weeks to account for the potential to offend or maybe the people of Scottsdale are just more comfortable with the subject being discussed. Maybe they're aware that other parts of America think they're more likely to be Creationists and so enjoy the opportunity to demonstrate with a chuckle that they're not. Or maybe tonight the audience will storm out in protest and I've just been lucky so far.

I had a surprise waiting for me after the show last night in the shape of yet another Dave Gorman. He's the 109th namesake that I've now met. It seems so odd to me that so many years after I stopped looking for them they continue to come and find me. I was originally trying to find 54 (one for every card in the deck, including the jokers) and once I'd achieved that, naturally, I stopped looking. I completed a second deck's worth back in April in Toronto, and now, I guess a third deck has been started. It was a pleasure to meet him and here we are.

Fare thee well, Aurora

Relations between me and the venue turned a little sour on the final day - not that they were ever wonderful. The contract we have with the venue stipulates that publicity for the show will be posted in front of the theatre which I would have thought was an unnecessary stipulation until I visited Aurora where the fact that they were a theatre wasn't even on the front of the building.

This led to a situation where we decided to threaten to cancel the show unless they put up signs telling people that the show existed and finally, on the last day, they relented. While every other show had seen 20 paying customers fail to appear with the magic addition of signs to help people that number was cut down to one. As if by magic! Tadaaa! Oh no... it's not magic is it... it's common sense. What followed was a really enjoyable show too.

I was really sceptical about the Sunday matinees being on the schedule before the tour started but they've been consistently good shows so far so, while I don't understand why someone would want to spend their Sunday afternoon in a theatre, it seems that those who do have been great audiences.

It's a shame that things had to get so unpleasant between the venue and us - especially as the technical crew and the ushers and front of house staff were so friendly and easy to work with.

Heigh ho. We're in Scottsdale, Arizona now. It's 1am. It's hot out.

Aaaagghhhhrora

Last night I did the best and worst shows of my time in Aurora back to back. There was a 7 o'clock show that had a good number of people in, a nice atmosphere and went really smoothly. Probably the best show I've done so far this tour. That was followed by a really small house and a slightly late-night drunken atmosphere and a lot of kind smiles from people who were tired. Very frustrating.

What makes it all the more frustrating is that for three nights running there have been around 20 people missing from each audience. These are people who've bought tickets and then failed to turn up. There are always likely to be a few no-shows for one reason or another but when it's a significant number and it's a regular occurence it's obvious that something isn't right. Every night after the show when I chat to the audience there are always a few stories from people who tell me that they struggled to find the theatre and nearly gave up so that seems as good an explanation as any as to why there are so many people failing to show.

This really shouldn't be possible because theatres are normally, by their nature, showy places. They like to advertise that they exist and they like to advertise the shows they are currently presenting. That doesn't seem to be the case here in Aurora where the front of the venue looks like this. It looks more like a building you'd have to visit to pay a parking fine than a theatre. There isn't one sign on the building to tell people what it is let alone anything advertising the show.

Trying to explain to the venue that people are telling me they can hardly find the place and that some kind of signage might help seems to be met with blank stares and when some of the ticket-buying public fail to turn up they scratch their heads and seem confused by it all. Oh well. The technicians here have been really friendly and easy to work with, the audiences have by and large been great, the reviews have been good... but unfortunately I can't pretend that I'll be unhappy to leave Aurora tonight.

Comparisons

There's a good review in the Chicago Tribune today which makes the theatre's unhelpful attitude all the more frustrating.

He says, "If there's a funnier, smarter piece of comedy about the Internet - then I haven't seen it" which is very nice of him, although to be fair I'm not sure that "Comedy About The Internet" is really a big genre. Then again, I don't really think the show is about the internet. However, he does add other kind words and the show is, apparently, "uproariously funny" which seems to me to be one of the best ways one's funny can be described.

I'm constantly amused, amazed and flattered by the people reviewers compare me to with this show. I know it's an attempt to explain things to an audience that doesn't know of me... but one day I'll have to compile a list because I think it makes for odd reading. This time I get "a cross of Michael Palin, Eddie Izzard, Dave Eggers and Steve Jobs", yesterday I was compared to Bill Cosby and the New York Times review way back when namechecked David Sedaris, Steve Martin, Salvador Dali and Mussolini! As usual, I've added this latest review to the reviews page.

Aurora

The first show in Aurora went really well... with a small but really great audience who were into it from the start. The second show was a much more mysterious affair. A group of twenty people failed to show up - presumably because they were wandering around Aurora trying to find the theatre, unaware that the unassuming red-brick building with no signs and no show-advertising was what they were looking for. For the first half hour there was almost no response at all but ever so slowly they started to thaw and by the end of things they were behaving as an audience. Maybe it took them time to adjust to my rhythm or my accent or maybe I started the show in an overly earnest manner or... or who knows. It came good in the end.

I stayed to chat with a few of the audience and a few of them commented on how little promotion they'd seen locally so at least I'm not imagining things. There is however a great review in today's Aurora Beacon News which should help. I'm incredibly flattered by any comparison to Bill Cosby and surely it's a rare thing for a reviewer to tell the readers that he's going to go and see a show again and that he actually intends to pay for a ticket! I've added the full review to the reviews page.

I think I must have gone on a bit too much about the rock and pebble balancing that I've been up to... a Canadian chap who's obviously been reading this page has sent a parcel to the theatre here in Aurora containing some pebbles.

Ugh

Well I know one more thing about Aurora and that's that it is home to a hotel that stinks of sweat and other bodily fluids. I'd never walked into a hotel room and been quite so knocked back by a stench before. Hmmm. Curious that someone might recently have died in my room I visited the room of my Slovenian Tour Manager (he's Slovenian, not the tour) and discovered the same aroma was there also. First purchase: air fresheners. Lovely.

Cleveland ended on a nice note with a great final show on Sunday afternoon to a small but really enthusiastic audience. They even had the good grace to applaud as I entered, unlike one of the Saturday audiences.

I then had a day off on Monday in Aurora. I don't know what you'd do with a day off in Aurora but I went on a bit of a mini-golf marathon, playing a friend on three courses. (2-1 to me yesterday although I'm 3-2 down over all time, since you ask.)

The marketing here in Aurora isn't filling me with much hope. I haven't seen any. The first thing I saw when I arrived at the smelly hotel was a poster for a show in the Copely Theatre after me. I can't help thinking that a poster for my show wouldn't be a good idea. I haven't seen a poster yet and there's nothing outside the theatre to announce that it exists or that the show is on. Hmmm.

I went in to Chicago yesterday to do some press for the show, appearing on a radio show hosted by Mancow (presumably he's so named because he speaks a lot of bull) and on another, friendlier show hosted by Steve Cochrane. The Mancow was an amazing experience. He has a bunch of sidekicks, including one called Turd. Mancow (I don't know his real name) would fade the microphones, say something offensive, then fade them back up again and point at Turd who'd then repeat the comment as though it was his own idea.

While discussing the horrible news story about the US soldier, Lynndie England being sentenced to gaol for abusing Iraqi prisoners (Mancow thinks she should be released because she's "retarded" and after all, "who really cares about the Iraqis?") he faded the mic and said, "I love retarded girls... they're easy... they always say 'yes.'" Then he faded the mics back up and pointed at Turd who repeated the comment so that Mancow could then respond to it. It was all pretty repulsive. I don't think Turd offered one comment of his own during the time I was in the studio. What kind of job is that? Sitting in a studio saying offensive things that someone else has told you to say?

While I can't imagine many Chicagoans are keen on travelling out to visit a city like Aurora (I believe there's quite a lot to do in Chicago as it is) the best press I've seen so far has been in Time Out Chicago. I haven't seen last week's issue but I'm told there was a big feature on the show while this week it gives me the red-star of recommendation and there are a few nice words... in fact it explicitly states that it's "worth the trip to the burbs." How many people will make that trip remains to be seen.

All in all, I doesn't feel as though the venue is trying to sell it to the people of Aurora... in which case I'm sure it would have been easier to take the show to Chicago. Odd.

Cleveland

There are another couple of reviews of the Cleveland shows. The Free Times summarises the show, almost forgets to say whether he likes it or not, reviews the seating in the theatre (he's right though, the cabaret style seating is a huge annoyance and completely inappropriate to my show) but finally adds that the show is good enough that you will forget that you're in a strange and uncomfortably arranged seat. Scene is a bit more quotable describing it as a "sides splitting journey" and a "cracking good time". Both have been added to the reviews page.

My recent rock and pebble balancing has inspired me to try more. The pebble balancing is much harder. When you pick up a rock you have much more sense of its gravity and weight but the pebbles are so slight and it needs a far steadier hand.

I went to a park with a friend and between us we built a veritable stone-henge of miniature structures. I was quite happy with this stack although there's no way of knowing that it is built out of tiny pebbles - in the photo it could be six feet tall rather than under two inches.

However, a caterpillar lends some nice perspective to this one... unless of course you think there are giant caterpillars roaming around the parks in Cleveland in which case, yes, that stack could also be huge. I was going to call this photo Pillar but my pebble-stacking friend suggested I call it Graduation instead which is much better.

Time off

I've been very happy with the way the show has gone down in Cleveland so far. I seemed to do 4 or 5 interviews a day all through the first week and the reviews of the show have been great and it's gone down really well most nights with 2 or 3 standing ovations along the way but, even with all that on its side, we haven't exactly set the box office alight.

It seems I'm being stalked by vicars. The last two shows both had men of the cloth sitting on the front row - which seems like an unlikely incidence. I asked them both about their views on Creationism, one declined to really answer but the other told me in no uncertain terms that he was Creationist.

I'm not used to meeting this opinion... I've spoken to several men who share their profession in the UK, both during and after the show (and outside the confines of the theatre as well) and never found any of them to be of the Creationist persuasion. It's such a minority point of view at home that it is very difficult to take seriously.

All through the last show, my paranoid mind was thinking that that day's vicar had been sent especially to check the show out because word of the show's anti-creationist material was out. (In actual fact, I'm very careful in the show to point out that it is the lie I believe I was told and the failure to whack his Google that actually earned my ire, not the belief in Creationism. One of the other people I met in the journey was also a Creationist... he's read the book and seen the show and we remain friends, so I'm confident that I've made this point clear in the show. But paranoia can always get you when you're on stage. I'll start an official vicar-watch and let you know if any more turn up.

I tried to maximise my time off, so when the Sunday show was over I jumped in a car and headed out of the city for a bit of a break in Port Clinton about 70 miles west of Cleveland. It was good to get out of the city and into some fresh country air. Being by Lake Erie it provided me with another opportunity for rock-balancing. (see September 8th and September 10th)

I managed this stack which was okay but I don't think my heart was in it and the result is somehow a little unsatisfactory.

On the way home, I stopped in a small and pretty town called Vermilion and visited the beach. I decided to try balancing some pebbles instead (maybe, I can market this as Pocket-Rock-Balancing!) and achieved a Zen-like calm in building this inch-tall stack.

With my new sense of calm I then tried again with bigger stones and was very happy with this triptych.
The middle of these was particularly satisfying as the top stone would move constantly in the breeze but seemed like it would stay in place for ever. It was certainly still there when I left the area a couple of hours later and returned to Cleveland for tonight's show.

Guardian column

I'm going to be writing a short weekly article about touring the States for the Guardian. Initially I refused to do this until they agreed to change the size and design of their paper but I'm told they have finally complied with my demands and so I've written my first piece. I think the articles will run on Saturdays and I think the first one will be in this week.

There's another good review - this time from the Akron Beacon Journal. I've added it to the reviews page. While it's a positive review it ends with something a little odd:

My only concern is this: Once the press started writing about Gorman and friends' googlewhacks, references to those particular word combinations started showing up on numerous Web sites, making their unique googlewhack status null and void. So as Gorman tells his story in his current show, how does he show the googlewhacks as single Google results on his laptop?

He may be taking creative license with his PowerPoint graphics. Or, maybe he captured the Web pages of single Google results years ago, after he and his pals found the unique word combinations and before the rest of the world knew about them.

What an odd concern to have. Surely it's obvious that the last sentence explains the situation perfectly ... in fact it's the only rational way it could have happened. The rest of the world (well, not all of them) only knew about the googlewhacks because of the show... so obviously the show existed first and that included the images. Her concern only seems to make sense if there is a way in which my story could be known by the world without me being the one who's telling it. How odd? It's hardly a chicken-and-egg style mystery is it?